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PMC is just as pliable as clay and therefore ideal for impressions of textures. I paint 15 - 20 layers of PMC slip onto the Ginkgo leaves. Once the PMC is bone dry I fire it in the kiln at around 1650 F. The extreme heat burns of the binding agent and compresses the silver molecules. The piece shrinks a little bit. Also the Ginkgo leaf burns away. What is left is its impression in silver. Since each jewelry piece is made from a real leaf and each leaf is unique, each pendant is different. The texture of the veins on the leaf are as individual as our finger prints. The Ginkgo tree is prehistoric and its leaves have medicinal qualities.
1 comment:
I love the Ginkgo leaf pendant! Where can I purchase one?
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